{"id":1164,"date":"2021-05-27T12:30:55","date_gmt":"2021-05-27T12:30:55","guid":{"rendered":"https:\/\/fantasticon.dk\/fantasticon2022\/?page_id=1164"},"modified":"2022-06-22T21:31:34","modified_gmt":"2022-06-22T21:31:34","slug":"program-items","status":"publish","type":"page","link":"https:\/\/fantasticon.dk\/fantasticon2022\/program-items\/","title":{"rendered":"Program items"},"content":{"rendered":"

See the whole program here<\/a>.\u00a0To stay updated on the program, please follow us on Facebook<\/strong><\/a> and Instagram<\/a><\/strong><\/p>\n

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\"\"<\/a>THE TRULY STRANGE<\/h4>\n

Sunday at 15:00<\/em><\/p>\n

Both fantasy and science fiction is great at thinking up new beings, but often they seem very human. From aliens with corrugated foreheads and pointy ears to middle American sensibilities transplanted to galactic empires. It is rare that we meet the truly strange \u2013 imaginary beings who have little or nothing in common with us \u2013 as they are hard to come up with and even harder to write about. This panel will discuss how it can and has been done.<\/div>\n
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Crawford Award winner and World Fantasy Award finalist Karin Tidbeck<\/strong> writes speculative fiction in Swedish and English. They debuted in 2012 with the collection Jagannath, followed by the novels Amatka and The Memory Theater. Their short fiction has appeared at Tor.com<\/a>, Uncanny Magazine, Lightspeed and more. Photo: Patrik \u00c5kervinda.<\/div>\n<\/div>\n
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Lars Ahn<\/strong> is an award-winning Danish author of speculative fiction. He has published one novel and more than 30 short stories in Danish. His latest collection won the Danish Horror Society\u2019s 2017 award for Best Horror Publication of the Year, and he also has two Niels Klim Awards for best Danish science fiction short stories.<\/div>\n<\/div>\n
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M.A. in Comparative Literature Freja Gyldenstr\u00f8m<\/strong> is an independent researcher specialising in 1800\u2019s and early 1900\u2019s fiction, in particular narratives that deal with mythology and the monstrous. She wrote her master’s dissertation on the Greek god Pan in Victorian literature and she has written the introduction to Hoff & Poulsen’s new Danish translation of stories by Arthur Machen.<\/div>\n<\/div>\n
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Niels Dalgaard<\/strong> has been a part of Danish science fiction fandom for four decades. He has written numerous articles, reviews and books about science fiction, has translated more than 40 books and edits the science fiction magazine Proxima. Niels holds a Ph.D. in Nordic Literature, and has done extensive research on science fiction literature in Denmark.<\/div>\n<\/div>\n
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Ian Sales is the award-winning author of the Apollo Quartet, a series of literary hard sf novellas, as well as short stories published in a variety of magazines and anthologies, both genre fiction and literary fiction. He is also an editor and reviewer, and he was behind the SF Mistressworks project about female SF writers of the 20th century.<\/div>\n<\/div>\n<\/div>\n
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\"\"<\/a>\u201cSTRANGE CREATURES\u201d INTRO PANEL<\/h4>\n

Saturday at 11.00<\/em><\/p>\n

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AI, vampires, fae, aliens, eldritch horrors \u2013 strange creatures have always existed in our stories. From cautionary tales to world saving entities, from aspirations to our worst nightmares, as neurodivergent or queer coded. But why do we engage with fantastical entities, and which narrative purpose do they serve? Join us for an introductory talk on the all the ways strange creatures exist in speculative fiction.<\/p>\n

Lauren Beukes<\/strong> is the international best-selling and award-winning author of “The Shining Girls\u201d, now an AppleTV+ show starring Elisabeth Moss, \u201cZoo City\u201d, \u201cBroken Monsters\u201d and \u201cAfterland\u201d among other books. She writes across genres, including science fiction, horror, crime, fantasy and realism.<\/p>\n

\u00d8ystein Runde<\/strong> is primarily known as a comics creator, but he has also asserted himself within other media such as podcast, film, childrens fiction and science communication. In his comics he is often playing with Norwegian history and culture, mixing modernized fairy tales and viking action with superheroes, retrofuturism and steampunk.<\/p>\n

Priya Sharma<\/strong> is a British fantasy and horror writer. Her fiction has appeared in venues such as Interzone, Black Static, Nightmare, The Dark and Tor and has won both the British Fantasy Award and the Shirley Jackson Award. Her stories have been translated into Spanish, French, Italian, Czech, and Polish. Photo: Mark Greenwood.<\/p>\n

Majbrit H\u00f8yrup<\/strong> is a short story writer, a reader and a fanfiction afficionado. In the SFF worlds you can discuss the other and the otherness from new perspectives. Who is even the other? Why not let the “norms” explain their life? The monsters instantly turns the world upside down and let us have this other view of the normal world. These are themes in H\u00f8yrups writings.<\/p>\n

Sanna Bo Claumarch<\/strong> is a cosplay, textile handicraft and LGBTQIA+ teacher by day, and a SFF fan and fandom enthusiast by night. They are also a debater of the merits of transformative fandom, who creates transformative audio works themself. Sanna is mostly active in Danish and Nordic fandom.<\/p>\n

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\"\"<\/a>BODY HORROR FROM A MEDICAL PERSPECTIVE<\/h4>\n

Sunday at 11.00<\/em><\/p>\n

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Body horror is a fundamental part of the horror genre. We all have a body, we all can relate. But except for the obviously fascinating idea of mutilation and disease, what does it have to offer? We will explore the medical side of body horror and draw from the experience of the panelists. What if body horror can\u2019t be seen with the naked eye? Maybe body horror can be sophisticated in a way we haven\u2019t seen yet?<\/p>\n

Lauren Beukes<\/strong> is is a former feature journalist and now the international best-selling and award-winning author of “The Shining Girls\u201d, adapted for an AppleTV+ show starring Elisabeth Moss, \u201cZoo City\u201d, \u201cBroken Monsters\u201d and \u201cAfterland\u201d among other books. She writes across genres, including horror, science fiction, crime, fantasy and realism.<\/p>\n

Priya Sharma<\/strong> is a British family doctor who writes fantasy and horror. Her fiction has appeared in venues such as Interzone and Tor.com and has won British Fantasy Awards and Shirley Jackson Awards. She is a Locus and Grand Prix de l\u2019Imaginaire finalist. Her collection \u201cAll the Fabulous Beasts\u201d explores identity and family through the lens of monstrous transformations. Photo: Mark Greenwood.<\/p>\n

Penny Jones<\/strong> knew she was a writer when she started to talk about herself in the third person. Both her debut collection \u201cSuffer Little Children\u201d and her short story \u201cDendrochronology\u201d was shortlisted for the 2020 British Fantasy Award, for Best Newcomer and Best Short Story. As well as a writer Penny is also a registered mental health nurse, and her professional experiences are often thematic in her writings.<\/p>\n

Mariane Mide<\/strong> has written a number of short stories for Danish Horror, Fantasy and Science Fiction magazines over the last couple of years, and this autumn her debut novel “Novice” will come out from the publisher Krabat. Her passion is writing horror. It allows her to push the bounderies of others and question their morals through violence and morbid ideas.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>TO BOOMERS TALER UD – OM MONSTRE OG FANTASTIK<\/h4>\n

S\u00f8ndag kl. 12.00<\/em><\/p>\n

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Klaus \u00c6. Mogensen<\/strong> og Flemming R.P. Rasch<\/strong> er to hvide, mandlige boomers og dermed repr\u00e6sentanter for virkelighedens v\u00e6rste gruppe af monstre \u2013 dem som bragte os klimaforandringer, krige, social ulighed og MeToo. Kom og h\u00f8r dem fort\u00e6lle om fandom, de fantastiske genrer og de monstre og andre s\u00e6re ting de har skrevet og l\u00e6st om. Der bliver m\u00e5ske ogs\u00e5 tid til at svare p\u00e5 sp\u00f8rgsm\u00e5l om livet, universet og hvem der sk\u00f8d f\u00f8rst.<\/p>\n<\/div>\n<\/div>\n

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Klaus og Flemming er begge fans af de fantastiske genrer og har derfor v\u00e6ret at finde p\u00e5 Fantasticon siden den startede som en \u00e5rlig begivenhed tilbage i 00erne. Som hhv. fremtidsforsker og tidligere l\u00e6rer er de ogs\u00e5 \u00f8vede i at bel\u00e6re andre om hvordan verden i virkeligheden h\u00e6nger sammen.<\/p>\n

Ved siden af at l\u00e6se b\u00f8ger og tegneserier, se film og v\u00e6re med i Fantasticon og andre fan-projekter har de begge skrevet noveller i genrerne gennem flere \u00e5rtier. De kan l\u00e6ses i diverse antologier, samt i novellesamlingen \u201dMinerne p\u00e5 Orthomyx\u201d (Flemming) og \u201dUd af Normalrummet\u201d (Klaus). Klaus har desuden skrevet ungdomsromanen \u201dDimensionspiraterne).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>ARTIFICIAL MINDS<\/h4>\n

Sunday at 16.00<\/em><\/p>\n

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We may or may not be able to create true artificial intelligence, but we can definitely speculate about it. In some science fiction the AI appear essentially human in their way of thinking, while other stories treat the artificial mind as fundamentally different from ours. This panel will discuss different approaches to writing about AI and the themes it enables you to tackle.<\/p>\n<\/div>\n<\/div>\n

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Ian Sales<\/strong> is the award-winning author of the Apollo Quartet, a series of literary hard sf novellas, as well as short stories published in a variety of magazines and anthologies, both genre fiction and literary fiction. He is also an editor and reviewer, and he was behind the SF Mistressworks project about female SF writers of the 20th century.<\/p>\n<\/div>\n<\/div>\n

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Karen Skovmand<\/strong> is an acknowledged Danish Fantasy and Science Fiction writer. In her latest book, Kimana Magars Sidste Sang, she explores the marvelous reactions of the human mind to various experiences of life, be it a deadly asteroid devastating the Earth or a gentle robot carrying a chubby boy on a grueling treadmill.<\/p>\n<\/div>\n<\/div>\n

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Nils Hoffmann<\/strong> is a Danish engineer and science fiction writer. In 2018, he made his debut with “The Demon’s Backdoor”, a novel treating the impact of artificial intelligence and other technological advances that are likely to shape the next decades. When he is not writing, he works with machine learning, a subset of artificial intelligence.<\/p>\n

Stig W. J\u00f8rgensen<\/strong> is a book translator and consultant whose academic past includes a PhD in Computational Linguistics, and even once a publication in The Journal of Experimental & Theoretical AI. An avid science fiction reader since childhood, he has talked and written about the genre for decades.<\/p>\n

Edmund Schluessel<\/strong> is an SFF author and mathematics teacher living in Helsinki. Their first book, \u201cInfinite Metropolis, was published in January 2020. Photo: Henry S\u00f6derlund<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>THE MONSTER’S PERSPECTIVE<\/h4>\n

Saturday at 17.00<\/em><\/p>\n

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From dragons and vampires to berserker robots and hostile alien beasts \u2013 monsters are monsters because they kill people or ravage their lands. Are they just driven by mindless bloodlust, programming or greed, or might they have a reason for their actions? What can the motives of the monsters say about ourselves as human beings? Hear what the writers who create the monsters have to say about that.<\/span><\/p>\n<\/div>\n<\/div>\n

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Priya Sharma<\/strong> is a British fantasy and horror writer. Her fiction has appeared in venues such as Interzone, Black Static, Nightmare, The Dark and Tor and has won both the British Fantasy Award and the Shirley Jackson Award. Her stories have been translated into Spanish, French, Italian, Czech, and Polish. Photo: Mark Greenwood.<\/span><\/p>\n

Teddy Vork<\/strong> has published horror short stories and novels since 2008. His latest works include the novel Mulm (2020), which won the award for best Danish work of horror that year. One of his short stories, The Wonders of the Invisible World, is included in this year\u2019s The Book of World Horror Stories vol. 2 by Valancourt Books. <\/span><\/p>\n

Tue Om\u00f8<\/strong> is best known for his urban dark fantasy novel Eternal DarkRay, but his first publishing was a poetry collection called Nano poet. With his wife he has had a collaboration with AOF, where they invited writers to tell about their books and about writing. Currently Tue Om\u00f8 is writing a sequel with the name Evighedens passagerer.<\/span><\/p>\n

Karsten Brandt-Knudsen<\/strong> made his debut at the end of 2019 with the science fiction horror short story Farmer. Since then, he has contributed short stories to a wide range of anthologies, magazines and websites. In 2021, his debut novel, Dan l\u00e6rer at leve, was published by Enter Darkness.<\/p>\n

Klaus \u00c6. Mogensen<\/strong> is a long-time fanzine editor and fan writer. At times, he writes science fiction and fantasy stories. He is currently finishing his second novel. Professionally, Klaus has been a futurist for more than 20 years, co-writing two books and more than 300 articles for the award-winning Scenario Magazine.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>TWISTING THE FOLKLORE<\/h4>\n

Saturday at 15.00<\/em><\/p>\n

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Sagas, fairy tales and folklore are full of strange creatures and have entertained people for centuries. They are still popular and have been incorporated into new ways of telling stories, now often with a modern twist. What is it that is so alluring with the old stories? Why do we reuse them, and why do we change them? This panel will discuss this and much more about (re-)inventing our old stories.<\/span><\/p>\n<\/div>\n<\/div>\n

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Lauren Beukes<\/strong> is the international best-selling and award-winning author of “The Shining Girls\u201d, now an AppleTV+ show starring Elisabeth Moss, \u201cZoo City\u201d, \u201cBroken Monsters\u201d and \u201cAfterland\u201d among other books. She writes across genres, including science fiction, horror, crime, fantasy and realism. <\/span><\/p>\n

\u00d8ystein Runde<\/strong> is primarily known as a comics creator, but he has also asserted himself within other media such as podcast, film, childrens fiction and science communication. In his comics he is often playing with Norwegian history and culture, mixing modernized fairy tales and viking action with superheroes, retrofuturism and steampunk. <\/span><\/p>\n

Billy O\u2019Shea<\/strong> is from Ireland, but has lived in Denmark for many years. He has written a number of science fiction novels and short stories set in a future Denmark, including the novel \u201cThe Other Mermaid\u201d featuring a very different version of a popular fairy tale figure. His work is not recommended for the sound of mind or adults above the age of 80.<\/span><\/p>\n

Zara Lea Palmquist,<\/strong> author of the theatre-novel \u201c\u00c5kvinden,\u201d graduated from the Danish School of Performing Arts in 2016. Her drama and writing revolves around the individual versus the collective, and investigates how ideologies, culture\/mythologies and politics are integrated from society into the private sphere, into the individual’s thoughts and way of living.<\/span><\/p>\n

Johan Anglemark<\/strong> has been a professional technical translator and writer for the last thirty years, and he has worked within games and publishing. Since 1985 he has been organising sf conventions and festivals, and he is currently involved in the Eurocon to be held next year in Uppsala. He edits SF Forum, the magazine of Skandinavisk F\u00f6rening f\u00f6r Science Fiction, SFSF.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>MADE TO ORDER<\/h4>\n

Sundag at 16.00<\/em><\/p>\n

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The 2020 short story collection \u201cMade to Order: Robots and Revolution\u201d was published on the 100th anniversary of the first use of the word \u201cRobot.\u201d This panel of science fiction aficionados will discuss the book and its themes, such as privilege and disadvantage, robots or AIs as stand ins for humans \u2013 or, on the contrary, as fundamentally incomprehensible creatures.<\/p>\n

Niels Dalgaard<\/strong> have been a part of Danish science fiction fandom for four decades. He have written numerous articles, reviews and books about science fiction, have translated more than 40 books and edits the science fiction magazine Proxima. Niels holds a Ph.D. in Nordic Litterature, and have done extensive research on science fiction litterature in Denmark.<\/p>\n<\/div>\n<\/div>\n

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Carolina Gomez Lagerl\u00f6f<\/strong> is a Swedish SF fan who lives in Stockholm. She is the chair of the European Science Fiction Society and Skandinavisk F\u00f6rening f\u00f6r Science Fiction in Stockholm. She is a conrunner of science fiction conventions and likes to travel to conventions in other countries. She works as patent examiner at the Swedish Patent Office in Stockholm.<\/p>\n<\/div>\n<\/div>\n

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Jeppe Larsen<\/strong> is a science fiction fan and IT professional. His favourite subgenre is hard sf, and he is a subscriber and reader of several science fiction short story magazines. Has been acitive in organizing Danish fandom since the early 2000s and often reviews science fiction. Favourite authors are writers like Greg Egan, Iain M. Banks and Kim Stanley Robinson.<\/div>\n<\/div>\n
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\nJane Mondrup<\/strong> has been an avid reader of all kinds of speculative fiction since her early childhood, and she has recently found her way into the Danish fandom scene. For the last couple of years she has begun to realize her ambition of becoming a writer herself, starting with the novel Zeitgeist from 2019 and some short stories.<\/div>\n<\/div>\n
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\nFlemming R.P. Rasch<\/strong> is a science fiction fan and occasional writer of short stories. He has been involved in organizing Fantasticon in most years since 2006. Other fan-activity includes publishing a few anthologies, editing books and magazines and translating short stories. He has a broad interest in the genres, from cosmic horror to hard sf, and from new wave to new weird.<\/div>\n<\/div>\n<\/div>\n
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\"\"<\/a>V\u00c6SNER FRA RUMMET<\/h4>\n

S\u00f8ndag kl 11.00<\/em><\/p>\n

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Rumv\u00e6sner er reelt fri fantasi. Vi har aldrig m\u00f8dt dem og har derfor intet videnskabeligt grundlag for at skrive om dem. S\u00e5 hvordan g\u00f8r man det alligevel, p\u00e5 en interessant og nuanceret m\u00e5de? Det vil fire forfattere tale om i dette panel, p\u00e5 baggrund af b\u00e5de deres egne og andre forfatteres tekster.<\/p>\n

Marie Howalt<\/strong><\/span><\/a> er forfatter til den postapokalyptiske Moonless-trilogi og rumopera-krimi-komedien The Stellar Snow Job, som udkommer i august. I det nyeste skud p\u00e5 bogstammen giver Marie et bud p\u00e5, hvordan m\u00f8det mellem mennesker og andre former for intelligent liv i et allerede etableret galaktisk f\u00e6llesskab kunne udspille sig.<\/p>\n

Seb Doubinsky<\/span><\/a><\/strong> er en fransk f\u00f8dt forfatter, som bor i Danmark og skriver p\u00e5 engelsk. Hans b\u00f8ger er udgivet i mange lande, herunder England, USA, Frankrig, Spanien og Danmark. I hans dystopiske City States-serie er der blandt meget andet rumv\u00e6sner p\u00e5 spil.<\/p>\n

Lars Ahn<\/strong><\/a> er forfatter til novellesamlingen \u201dM\u00e5nebase R\u00f8dh\u00e6tte\u201d, der bl.a. indeholder kortromanen \u201dAlien Ghost Ballet\u201d om en balletmester, som skal l\u00e6re rumv\u00e6sener med tre ben at danse \u201dSvanes\u00f8en\u201d. Han har ogs\u00e5 skrevet den omvendte invasionshistorie \u201dEn invasiv art\u201d, hvor det er os, der er aggressorerne.<\/p>\n

Marie Ladefoged<\/span><\/a><\/strong> er en sk\u00f8nlitter\u00e6r forfatter. Hun har skrevet romanerne \u201dRejsen til Skyway\u201d, \u201dModerskibet\u201d og \u201dVejen til Kembri\u201d, som alle tre er science fiction. Hvor den f\u00f8rste handler om tidsrejser, har de seneste to flere beskrivelser af rumv\u00e6sener, navnlig \u201dVejen til Kembri\u201d, som er en b\u00f8rnebog for de 8-12 \u00e5rige.<\/p>\n

Panelet modereres af Sidsel Pedersen<\/strong>, science fiction og fantasy fan.<\/p>\n<\/div>\n

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\"\"<\/a>CREATING FICTIONAL BEINGS<\/h4>\n

Saturday at 12.00<\/em><\/p>\n<\/div>\n

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When writers and artists make up fictional beings, how do they go about it? In this panel four very different story creators will discuss this aspect of their craft. Where do they look for inspiration, how do they transform it into something that works for their story, and why do they need the creatures in the first place?<\/p>\n

Crawford Award winner and World Fantasy Award finalist Karin Tidbeck<\/span><\/a><\/strong> writes speculative fiction in Swedish and English. They debuted in 2012 with the collection Jagannath, followed by the novels Amatka and The Memory Theater. Their short fiction has appeared at Tor.com<\/a>, Uncanny Magazine, Lightspeed and more. Photo: Patrik \u00c5kervinda.<\/p>\n

Andreas Boeskov<\/span><\/a><\/strong> recently published his first book at Gyldendal, the critically acclaimed \u2019De glemte vogtere\u2019, the first book in a planned fantasy series for children and young people. In the series a group of especially imaginative children defend the world against a stream of dangerous and original creatures, always threatening to attack.<\/p>\n

Mikkel Wendelboe (alias Skriverkarl)<\/span><\/a><\/strong> has written a dozen fantasy and scifi books, and with a background in biology, geography and paleontology, the proces of creating fantastic beasts and creatures, has always been a key feature. Every creature needs a habitat and natural behavioral patterns, to be understood and defined, thus making them able to be described properly and with ease in a story.<\/p>\n

Tatiana Goldberg<\/strong><\/a> is a Danish comic artist and psychologist most known for her award winning crime\/sci-fi series \u201cKijara\u201d as well as her award nominated psychological horror story \u2013 the graphic novel \u201cAnima\u201d. Tatiana teaches character design and creature design as well as comics and she uses her expertise in psychological effects in visual design in her work.<\/p>\n

The panel will be moderated by Jesper Rug\u00e5rd Jensen, writer, science fiction-, fantasy- and horror-fan.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>GUEST OF HONOR INTERVIEW \u2013 PRIYA SHARMA<\/h4>\n

Saturday at 13.00<\/em><\/p>\n<\/div>\n

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\u201cDark magical realism\u201d is a good way of describing Priya Sharma\u2019s writing. This interview will cover her style, recurring themes, writing methods and sources of inspiration, both in her published fiction and her works in progress.<\/p>\n

Priya Sharma<\/a><\/strong> is a British fantasy and horror writer. Her fiction has appeared in venues such as Interzone, Black Static, Nightmare, The Dark and Tor. Her short story collection “All The Fabulous Beasts” was a British Fantasy Award and Shirley Jackson Award winner and a Locus Award finalist, and the title story, “Fabulous Beasts,\u201d won a British Fantasy Award and was a Shirley Jackson Award finalist. \u201cOrmeshadow\u201d, her first novella (available from Tor), won a Shirley Jackson Award and a British Fantasy Award. Her stories have been translated into Spanish, French, Italian, Czech, and Polish.\u00a0Photo: Mark Greenwood<\/p>\n<\/div>\n<\/div>\n

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Priya Sharma will be interviewed by Seb Doubinsky<\/strong><\/a>, a french born writer currently living in Denmark. His novels, all set in a dystopian universe revolving around competing city states, have been published in several countries, including the UK and USA, France, Spain and Denmark.<\/p>\n<\/div>\n

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\"\"<\/a>PANELDEBAT: QUEER CREATURES<\/h4>\n

S\u00f8ndag kl 12.00<\/em><\/p>\n

Lesbiske vampyrer, aseksuelle robotter og gay varulve. Man har op gennem tiden brugt queer coding af v\u00e6sener i alt fra eventyr til sff til Disney film.\u00a0I dette panel vi bl.a. tale om hvorn\u00e5r monstre bruges som metaforer for queerness, hvorn\u00e5r monstre f\u00e5r lov at v\u00e6re deres egne v\u00e6sner og queers f\u00e5r lov til at v\u00e6re queer.<\/p>\n

Christina E. Ebbesen<\/a> <\/strong>er forfatter til bromance serien Til Aretz\u2019 Ende, der er lige dele dannelsesrejse, forviklinger og quest-turnering. Til daglig er Ebbesen pr\u00e6st, n\u00e5r hun ellers ikke har travlt med at poste om genrelitteratur p\u00e5 sociale medier.<\/p>\n

Pernille L. Stenby<\/a><\/strong> har skrevet den dystopiske dark fantasy serie Mestenes og romanen \u2018Et manipuleret liv\u2019 sat i samme univers, hvor hun udforsker magt, afmagt og LGBTQ+ temaer.<\/p>\n

Simon Zander<\/strong><\/a> udkom i efter\u00e5ret 2021 med sin debutroman, den dystopiske ungdomsfantasy \u2018Inden det bl\u00e5 lys falmer\u2019. Simon er en aktiv del af bev\u00e6gelsen Dansk Fantasy, og han br\u00e6nder for at skrive inden for de fantastiske genrer, samt at skrive inkluderende b\u00f8ger, hvor is\u00e6r queer-personer bliver repr\u00e6senteret.<\/p>\n

Sanna Bo Claumarch<\/strong><\/a> underviser unge i cosplay og queer kultur og historie. Hen er ivrig SFF-l\u00e6ser, transformativ fandom enthusiast, aktiv fan og debatt\u00f8r.<\/p>\n

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\"\"<\/a><\/h4>\n

INTERVIEW MED VIGGO BJERRING<\/h4>\n

L\u00f8rdag kl 12.00<\/em><\/p>\n<\/div>\n

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I 2021 fik forfatter Viggo Bjerring stor succes med udgivelsen af \u201dVerdenhjertet\u201d, en fremtidsroman om kunstig intelligens, \u00f8kokapitalisme og prekariatet, med syrede aspekter som v\u00e6kker mindelser om b\u00e5de Philip K. Dick, Mark Z. Danielewski og Svend \u00c5ge Madsen. Interviewet vil handle om Viggo Bjerrings forfatterskab, om hans forhold til de fantastiske genrer, og om ikke-menneskelig intelligens og andre \u201dv\u00e6sner\u201d i hans historier.<\/p>\n

Viggo Bjerring<\/strong><\/a> er uddannet i Id\u00e9historie, og han debuterede i 2016 med novellesamlingen Balancekatten. Samme \u00e5r udkom han med kortromanen QWERTY, som blev nomineret til Danske Sk\u00f8nlitter\u00e6re Forfatteres pris, Den Sv\u00e6re Toer. Verdenshjertet er hans debutroman, og ligesom i de to andre b\u00f8ger leger han i denne med et v\u00e6ld af forskellige genrer, men ofte med en fork\u00e6rlighed for den filosofiske og spekulative fiktion.<\/p>\n

Om Verdenshjertet<\/a><\/strong>: I en ikke s\u00e5 fjern fremtid, hvor velf\u00e6rdssamfundet er i opl\u00f8sning og algoritmer har overtaget meget af arbejdet, lever Mads af sm\u00e5 freelance-jobs, som han f\u00e5r gennem online-portalen Easyjobs. Endelig f\u00e5r han en stor opgave: at ghostwrite thrilleren Sort og hvid. Den bliver en bestseller, men da toeren skal skrives, begynder verden at smuldre omkring ham, bogstaveligt talt.<\/p>\n

Viggo Bjerring interviewes af Jane Mondrup, som selv skriver i de fantastiske genrer.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>PSYCHOLOGY OF THE ALIEN<\/h4>\n

Saturday at 11.00<\/em><\/p>\n<\/div>\n

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In this talk Flemming R.P. Rasch will take a look at some aliens of the science fiction genre from a psychological viewpoint. Will it be possible to understand them with the tools of human psychology?<\/p>\n

Psychology is a science about humans and how they behave, as normal human beings and as unusual or mentally ill human beings. How would we consider aliens if they were human \u2013 as normal, slightly unusual or extremely unusual? And what would an alien\u2019s science about its own species\u2019 psychology be like?<\/p>\n

The talk will be held in English. It will leave room for audience participation and discussion of the subject.<\/p>\n

Flemming R.P. Rasch is a science fiction fan and writer and holds a BA in psychology.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a><\/h4>\n

ELVERE SOM \u201dTHE OTHER\u201d<\/h4>\n

L\u00f8rdag kl 16.00<\/em><\/p>\n<\/div>\n

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I videospil konstrueres elvere ofte som en etnisk minoritet via spillenes brug af kolonialisme-lignende diskurser. I dette foredrag vil cand.mag i engelsk Anita Alb\u00e6k Simonsen unders\u00f8ge hvordan dette sker i spillene \u201dDragon Age: Origins\u201d og \u201dThe Witcher 3: Wild Hunt\u201d.<\/p>\n

Anita Alb\u00e6k Simonsen<\/strong><\/a> er dansk fantasy- og science fiction-forfatter. Hun har en kandidatgrad i engelsk med specialisering i feltet mellem postkolonialisme og spilstudier. P\u00e5 universitet har hun ved hver lejlighed drejet kurset over til spilverdenen og har grundet sin fork\u00e6rlighed for fantasy dykket ned i hvordan koloniale diskurser og racisme optr\u00e6der i fantasy-rollespil. L\u00e6s mere om Anita Simonsen p\u00e5 hendes hjemmeside<\/a><\/p>\n

I foredraget vil hun problematisere lighederne mellem spillenes elvere og virkelige (post)koloniale folkef\u00e6rd. Derudover vil hun p\u00e5vise hvordan b\u00e5de spildesignet og narrative elementer bidrager til, at man via det, som teoretikeren Sara Ahmed har betegnet som gestus, kan genkende (recognise), legemligg\u00f8re (embody) og kende (know) elvere som \u2019strangers\u2019 p\u00e5 et fundament af romantisering af kolonialisme-lignende diskurser. Konstruktionen af elvere som \u2019the Other\u2019 i videospil negligerer derved at s\u00e6tte sp\u00f8rgsm\u00e5lstegn ved faste diskurser s\u00e5som kolonialisme i stedet for produktivt at bidrage til \u2019afkolonisering\u2019.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>DEN NORDISKE MYTOLOGIS V\u00c6SNER<\/h4>\n

L\u00f8rdag kl 14.00<\/em><\/p>\n<\/div>\n

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Dv\u00e6rge. Alfer. J\u00e6tter. Fylgjer. Lindorme. Den nordiske mytologi myldrer med v\u00e6sner, hvoraf af mange har fundet vej til s\u00e6rligt fantasy-litteraturen. Men hvad siger kilderne faktisk om de oprindelige versioner af disse mytiske skabninger? Det vil etnolog og folklorist Karen Bek-Pedersen g\u00f8re os klogere p\u00e5.<\/p>\n

Karen Bek-Pedersen<\/strong> har en PhD fra University of Edinburgh. Den handler om nornerne og sk\u00e6bnebegrebet i norr\u00f8n mytologi, og hendes f\u00f8rste bog, \u201dThe Norns in Old Norse Mythology\u201d, blev udgivet i 2011. Siden da har hun arbejdet ved fem forskellige universiteter i ind- og udland, men er nu prim\u00e6rt freelance overs\u00e6tter og korrekturl\u00e6ser. Samtidig har hun fortsat sin forskning i og ogs\u00e5 holdt en hel masse foredrag om nordisk mytologi og islandske sagaer (og lidt keltisk mytologi i ny og n\u00e6). Hendes bog \u201dGuder og Gudinder i Nordisk Mytologi\u201d udkom i 2021.<\/p>\n

Karen Bek-Pedersen interviewes af Jane Mondrup, cand.mag. i forhistorisk ark\u00e6ologi og forfatter til historier som bl.a. inddrager nordisk mytologi.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>GODS AND MONSTERS IN ARTHUR MACHEN’S MYSTICAL UNIVERSE (in English)<\/strong><\/div>\n
Saturday at 14.00<\/em><\/div>\n
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A guided walk through the enchanted gardens of tales spun by Victorian horror- and fantasy writer Arthur Machen. As we stop and admire the scenery, we will meet creatures from Greek and Roman Antiquity, Celtic heroes, primordial goo given shape, and maybe even angels.<\/p>\n

Machen is one of the oft-forgotten precursors of modern weird fiction, and his influence – and creatures – haunt many of the more well-known stories of today. Observe the faun among the Machenalian shrubbery – and find it again in H.P. Lovecraft, Stephen King, Guillermo del Toro og Alan Moore.<\/p>\n

About Freja Gyldenstr\u00f8m:<\/strong> Apart from having written the introduction to Hoff & Poulsen\u2019s translation of \u201dThe Great God Pan\u201d M.A. in Comparative Literature Freja Gyldenstr\u00f8m has written her dissertation on the god Pan as a character in fin de si\u00e8cle literature \u2013 strongly focusing on Machen; and she is an independent researcher specialising ind 1800\u2019s and early 1900\u2019s literature. She has also contributed to games and roleplaying scenarios such as Vampire 5th Edition and the occult LARP Baphomet.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>FORHISTORISKE DYR SOM FANTASTISKE V\u00c6SNER<\/h4>\n

S\u00f8ndag kl 16.00<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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En parallelverden for udd\u00f8de dyrearter. En nutid hvor dinosaurer aldrig udd\u00f8de. Forhistoriske flyve\u00f8gler, som har overlevet til i dag. Myter og forestillinger om fantastiske v\u00e6sner, som m\u00e5ske er baseret p\u00e5 reelt eksisterende dyr. Det er nogle af de emner, som vil blive vendt i dette panel.<\/p>\n<\/div>\n<\/div>\n

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Panelets tre forfattere har alle skrevet romaner, hvor udd\u00f8de eller forhistoriske dyr spiller en vigtig rolle. I panelet vil de fort\u00e6lle om deres forhold til emnet, om hvordan de har arbejdet med det i deres historier, og om hvad der har drevet dem til at g\u00f8re det \u2013 fascination, videbeg\u00e6r eller vrede over menneskenes hensynsl\u00f8se udryddelse af andre livsformer. Panelet modereres af Sidsel Pedersen, science fiction- og fantasy-n\u00f8rd.<\/p>\n

Mikala Rosenkilde<\/span><\/a><\/strong> er forfatter og podcastindehaver med interesse for kryptozoologi. Har senest skrevet romanen \u201dKongamato\u201d der omtales som \u201dIndiana Jones m\u00f8der Jurassic park\u201d. En roman om nulevende flyve\u00f8gler. Lige nu er hun aktuel med podcast-serien \u201dDe mystiske dyr\u201d og har en roman p\u00e5 vej. Hun har boet og opholdt sig i en l\u00e6ngere periode i Sydafrika mellem vilde dyr og har tidligere l\u00e6st etologi.<\/p>\n

Mikkel Wendelboe<\/span><\/a><\/strong> er en dansk TV-sportsv\u00e6rt og fantasy\/science fiction-forfatter, der har skrevet flere b\u00f8ger, og mere end \u00e9n gang med dinosaurer som omdrejningspunkt. Han er desuden uddannet i naturvidenskaben og har studeret dinosaurer p\u00e5 universitetet – som han ofte fik kritik for at skrive for malende og kunstnerisk om, hvilket blandt andet ant\u00e6ndte lysten til at blive forfatter.<\/p>\n

Pernille van Dijk<\/span><\/a><\/strong> er forfatter til Arternes opstandelse, f\u00f8rste bind i trilogien N\u00f8glen til fortiden, som handler om at det er vigtigt at beskytte vores dyr, f\u00f8r det er for sent, et budskab hun virkelig br\u00e6nder for. I de udd\u00f8des verden bor de dyr, der ikke l\u00e6ngere lever p\u00e5 Jorden. Da en helt s\u00e6rlig n\u00f8gle lader dem vende tilbage til Jorden, kan dyrene endelig f\u00e5 h\u00e6vn over de mennesker, der udryddede dem. Den mulighed lader de ikke g\u00e5 fra sig.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>INTERVIEW MED TEDDY VORK<\/h4>\n

L\u00f8rdag kl 15.00<\/em><\/p>\n

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Flemming Rasch interviewer Teddy Vork, som er kendt blandt fantastik-fans som en af Danmarks bedste horror-forfattere.<\/p>\n

Teddy Vork<\/strong><\/a> er cand. mag. i engelsk, litteratur-videnskab og skrivekunst. Han er dobbelt vinder af Dansk Horrorselskabs pris for \u00e5rets bedste horror-udgivelse, i 2020 for romanen “Mulm” og i 2014 for novellesamlingen “Spr\u00e6kker”, og har desuden udgivet ungdomsgyseren \u201dDe d\u00f8de husker,\u201d romanerne \u201dEx\u201d og \u201dDiget\u201d, novellesamlingen \u201dHvor skyggen falder\u201d samt noveller i forskellige antologier og magasiner. Tilbage i 2006 fik Teddy Vork en pris for novellen \u201dSnemanden\u201d i Foreningen Fantastiks \u00e5rlige novellekonkurrence. Teddy fort\u00e6ller om sin forfatterkarriere og nogle af de ting han har skrevet, samt komme ind p\u00e5 hans tilgang til monstre og s\u00e6re v\u00e6sener.<\/p>\n<\/div>\n<\/div>\n

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\"\"<\/a>XENOLINGVISTIK<\/h4>\n

S\u00f8ndag kl 15.00<\/em><\/p>\n

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Hvis vi st\u00f8dte p\u00e5 aliens, hvordan ville deres sprog s\u00e5 v\u00e6re? Findes der universelle regler om sprog, som alle v\u00e6sener vil overholde, eller vil det v\u00e6re umuligt at forst\u00e5 et udenjordisk v\u00e6sen? F\u00e5 et kvalificeret bud p\u00e5 et svar i dette foredrag ved\u00a0 overs\u00e6tter, datalingvist og science fiction-ekspert Stig W. J\u00f8rgensen<\/strong>.<\/p>\n

Xenolingvistik besk\u00e6ftiger sig med det indtil videre hypotetiske sp\u00f8rgsm\u00e5l om hvordan ikke-jordiske v\u00e6seners sprog kan v\u00e6re opbygget, bl.a. baseret p\u00e5 de de (jordisk) universelle f\u00e6llestr\u00e6k for menneskesprog, samt tr\u00e6k ved andre jordiske arters kommunikation. Foredraget vil ogs\u00e5 komme ind p\u00e5 litter\u00e6re eksempler fra b\u00e5de den nyere og den klassiske science fiction-kanon. L\u00e6s mere om Stig p\u00e5 https:\/\/www.stigw.dk\/<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>MONSTRE OG SAMFUNDETS ORDEN<\/h4>\n

S\u00f8ndag kl 14.00<\/em><\/p>\n

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Forfattersamtale mellem Majbrit H\u00f8yrup og Karsten Brand-Knudsen om hvordan de i deres forfatterskab arbejder med monstre, ikke kun som fjender der skal overvindes, men som et element der udfordrer samfundets orden.<\/p>\n

Majbrit H\u00f8yrup<\/strong> har skrevet en h\u00e5ndfuld noveller i l\u00f8bet af de sidst tyve \u00e5r. De fleste af dem er udgivet i Science Fiction Cirklens antologier. Et par stykker af dem handler om monstre, men det er ofte monstre, som v\u00e6kker medlidenhed, snarere end frygt.<\/p>\n

Karsten Brandt-Knudsen<\/span><\/a> <\/strong>er relativt gr\u00f8n indenfor fandom og som forfatter. Han debuterede ultimo 2019 med novellen Farmer i antologien Sandsynlighedskrydstogt fra Science Fiction Cirklen. Sidenhen har han bidraget med noveller til en favnfuld antologier, magasiner og hjemmesider. I 2021 udkom hans debutroman, Dan l\u00e6rer at leve, p\u00e5 forlaget Enter Darkness.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"\"<\/a>“NOGET ER P\u00c5 VEJ”<\/h4>\n

L\u00f8rdag kl 17.00<\/em><\/p>\n

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4 forfattere af noveller til forlaget Krabats antologi \u201dNoget er p\u00e5 vej” taler om novellerne, arbejdet med folketro og overnaturlige v\u00e6sner i en moderne, litter\u00e6r sammenh\u00e6ng. \u201dNoget er p\u00e5 vej er 24 fort\u00e6llinger om nordisk folketro. Samtalen modereres af antologiens redakt\u00f8r Helle Perrier.<\/p>\n

Kat Lassen <\/span><\/a><\/strong>er forfatter til novellen \u201dGlemslens s\u00f8\u201d. Hun debuterede i 2013 med det to-delte fantasy eventyr “Livets Port”. Siden har hun f\u00e5et udgivet b\u00e5de b\u00f8rne og ungdomsb\u00f8ger, men ogs\u00e5 noveller og kortprosa til et lidt \u00e6ldre publikum. I 2022 udkommer hendes og illustrator Anita S\u00f8lvers “Elleb\u00e6t”-serie p\u00e5 Forlaget Krabat. Hun har desuden horrornovelle i horrormagasinet Read.Die.Repeat p\u00e5 vej, samt to noveller i en antologi om moderskab p\u00e5 Forlaget Leitura.<\/p>\n

Malene Fabricius Holm<\/strong><\/span><\/a> har skrevet novellen \u201cLilli-Rose\u201d. I mange \u00e5r har hun skrevet teatermanuskripter, som er opf\u00f8rt i amat\u00f8rteaterregi. I 2021 debuterede hun som forfatter med et par noveller, og i 2022 udkommer hendes f\u00f8rste roman. Malene skriver mest til tweens og teens og er inspireret af de sm\u00e5 og store ting, som kan skabe uro i livet. Folkesagn om skiftinge inspirerede hende til \u201cLilli-Rose\u201d. For Malene er folketro og trolde ul\u00f8seligt forbundet.<\/p>\n

Alexandra Vinther<\/strong><\/span><\/a>, forfatter til novellen \u201cNis,\u201d er uddannet kunstmaler og har en bachelor i historie. Hun har boet p\u00e5 Djursland det meste af sit liv, t\u00e6t p\u00e5 Tirstrup lufthavn\/flyvestation. M\u00e5ske er det s\u00e5dan den interesse for flyvning, som ogs\u00e5 fremg\u00e5r af novellen, blev f\u00f8dt? De fantastiske genrer ligger hendes hjerte n\u00e6r, men hun elsker ogs\u00e5 historie, og derfor sniger historisk viden sig ofte mere eller mindre synligt sig ind i hendes tekster.<\/p>\n

Lars Ahn<\/strong><\/a>, forfatter til “E. H\u00f8j,” arbejder som journalist i Roskilde og skriver fiktion i sin fritid. Siden 2007 har han haft noveller med i over 30 antologier og har udgivet en roman og to novellesamlinger, herunder \u201cDen nat, vi skulle have set Vampyros Lesbos\u201d som blev k\u00e5ret til \u00c5rets Danske Horrorudgivelse 2017. Hans historier er oversat til flere forskellige sprog og har novellen “Donation” med i den World Fantasy Award-nominerede antologi The Valancourt Book of World Horror Stories Vol. 1.<\/p>\n

Helle Perrier<\/span><\/a><\/strong> (moderator) er redakt\u00f8r p\u00e5 antologien og medejer af forlaget Krabat. Hun har skrevet s\u00e5 l\u00e6nge, hun kan huske, og siden 2015 er det blevet til en r\u00e6kke udgivelser af b\u00e5de romaner og noveller, herunder serierne “Gamerklassen” og “Den gule planet”.<\/p>\n

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The world from the Monster\u2019s perspective (English)<\/h4>\n

Saturday at 17:00<\/em><\/p>\n

Priya Sharma, Tue Om\u00f8, Teddy Vork, Karsten Brandt-Knudsen. Klaus \u00c6 Mogensen (mod)
\nIn most of the stories we hear, the monster is the outsider. The one we are afraid of, what threatens us. These stories tells us somerhing about how we meet with the strange, with the outsider. But what is it like being the monster? What are we like seen from the outside. And what really makes them tick, these strange beings we call monsters.<\/p>\n<\/div>\n

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OTHER PROGRAM ITEMS<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
We are working presentations for the following items:<\/div>\n
<\/div>\n
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– Intropanel on the subject “Strange Creatures”
\n– Interview with Guest of Honor Lauren Beukes
\n– A panel on the short story collection “Made to Order”
\n– Samtale mellem Flemming P. Rasch og Klaus \u00c6. Mogensen
\n– The Truly Strange (panel)
\n– Twisting the Folklore (panel)
\n– The World from the Monster’s Perspecitive (panel)
\n– Panel om AI<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

See the whole program here.\u00a0To stay updated on the program, please follow us on Facebook and Instagram THE TRULY STRANGE Sunday at 15:00 Both fantasy and science fiction is great at thinking up new beings, but often they seem very human. From aliens with corrugated foreheads and pointy ears to middle American sensibilities transplanted to galactic empires. It is rare that we meet the truly strange \u2013 imaginary beings who have little or nothing in common with us \u2013 as they are hard to come up with and even harder to write about. This panel will discuss how it can and has been done. Crawford Award winner and World Fantasy Award finalist Karin Tidbeck writes speculative fiction in Swedish and English. They debuted in 2012 with the collection Jagannath, followed by the novels Amatka and The Memory Theater. Their short fiction has appeared at Tor.com, Uncanny Magazine, Lightspeed and more. Photo: Patrik \u00c5kervinda. Lars Ahn is an award-winning Danish author of speculative fiction. He has published one novel and more than 30 short stories in Danish. His latest collection won the Danish Horror Society\u2019s 2017 award for Best Horror Publication of the Year, and he also has two Niels Klim...<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/pages\/1164"}],"collection":[{"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/comments?post=1164"}],"version-history":[{"count":52,"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/pages\/1164\/revisions"}],"predecessor-version":[{"id":1563,"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/pages\/1164\/revisions\/1563"}],"wp:attachment":[{"href":"https:\/\/fantasticon.dk\/fantasticon2022\/wp-json\/wp\/v2\/media?parent=1164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}